Courtesy: Fox Searchlight |
Starring Michael Keaton,
Zach Galifinakis, Emma Stone, and Edward Norton
Written and Directed by
Alejandro Inatirru
Rated R
My Rating: *****/5
There have been many diverse
offerings since the Oscars opted to reintroduce the
10 best picture nominees.
While there is talk of turning them back to 5; I submit that such a
precedent
would end up shutting out
many of the more unique entries that have been winners in past years.
The
newest entry into that
elite club is “Birdman,” which is definitely not your typical
piece of Oscar bait.
The film concerns the
director and star of a play known as Riggle Thompson (Keaton);
who is attempting to
rekindle his career after playing the titular superhero became his
most notable
role; but strained his
career and relationship with his daughter (Stone) in the process.
If this sounds familiar;
the film is essentially a parody of Keaton's role in Tim Burton's
1989 version of “Batman”
and the 1992 sequel “Batman Returns”, as well as his life after
that role.
In essence, this is a role
that is tailor-made for Keaton. Not only is it handled with
surprising tact
and bittersweet drama; it
also shows how he's often at his best when pushing his craft to his
limits.
As such, the film also has
great satire on the industry; making light of how the more
personal films about people
and their relationships are often overshadowed by big-budget,
triple-A;
billion-dollar blockbusters
(watch for a scene where Spider-Man, Iron Man, Bumblebee and other
stars
of tentpole franchises duke
it out onstage; as well as ones where Thompson's costumed alter-ego
gives
maniacal advice).
The film is also shot
with an innovative technique of editing long takes together; giving
the effect of a backstage
view as Thompson clashes with a younger understudy played by Edward
Norton, whose own
performance is also worthy of standing alongside the likes of “Fight
Club” and
“American History X” in
his filmography. Seeing Emma Stone play against type is also not only
a riot;
but a key moment for her as
she plays Thompson's daughter; who wants no part of her father's
attempts
to regain his glory and her
love.
With all this on the
table; “Birdman” is definitely worthy of the pedigree of not only
its
lead actor; but also shows
what director Alejandro Inatirru can do with a medium that has
endless
applications for expressing
oneself. It will be remembered as the best picture winner that
thrives
on skewering both sides of
the industry and providing insight on both through “the unexpected
virtue of ignorance.”
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