Courtesy: Paramount Pictures/Hasbro |
Starring Mark Wahlberg,
Nicola Peltz, Kelsey Grammer, and Stanley Tucci
Directed by Michael Bay
Rated PG-13
My Rating: ****1/2:4
The latest entry in the
live-action “Transformers” film series debuted this past summer;
yet again, to highly
divisive critical and audience reaction; but another massive box
office take
(over $1 billion worldwide
as of this writing) and a continued push of the accompanying
action figure line of the
same name. By this point; it has become inherently clear that, along
with fellow blockbuster
property “Teenage Mutant Ninja Turtles;” those not familiar with
the 1980s-onward media
franchise or Michael Bay's style of filmmaking need not apply, and
everyone else knows exactly
what they're in for.
While still keeping the
continuity of the 2007 film; 2009's “Transformers: Revenge of
The Fallen”, and 2011's
“Transformers: Dark of the Moon;” the film is also a backdoor
start
to a planned new trilogy.
Widowed scrapper Cade Yaeger (Wahlberg) and his daughter Tessa
(Peltz) are just barely
making ends meet when Cade makes a discovery: He bought a mere
banged-up old truck? I
think not! He has stumbled upon Autobot commander Optimus Prime
(voice of Peter Cullen);
weathered from his many battles against the Decepticons in a new form
paying homage to his design
from the 1984 animated TV series and its accompanying toyline.
This gains the attention of
a corrupt government agent played by Kelsey Grammer; who
has declared all
Transformers enemies of the state, not merely the Decepticons. As
such, Cade
and Tessa must travel with
Optimus; as well as the similarly hardened Bumblebee. Other
characters joining the fray
are aged Autobot soldier Hound (voice of John Goodman); snide
Autobot marksman Crosshairs
(voice of John DiMaggio); pensive Autobot warrior Drift (voice
of Ken Watanabe), and
jury-rigged Decepticon Galvatron (voice of Frank Welker). While
some knowledge is required
of the events of prior films; it does make a solid launching-on point
for almost 30 years of
prior mythology of previous cartoons, comic books; video games, and
other toys.
What follows is surely the
most consistent encapsulation of Bay's filmmaking: what he
lacks as a storyteller, he
more than makes up for in spectacle. It is highly counterproductive
to apply real-world logic
in a movie where Stanley Tucci plays a scientist who reverse-
engineers technology from
the corpses of Transformers (including, oddly, a Rainbow Dash toy
that turns into a firearm);
and subsequently gets caught in the crossfire as things go awry.
The film is not all that
different from a situation a child would imagine playing with the
action
figures: in this
165-minute, $210 million blockbuster; colorful robots once again do
battle with
otherworldly weapons in set
pieces as big as the locales where they are filmed. The action goes
from Texas, to Chicago; to
Hong Kong for the final battle that again takes up the bulk of the
film's final act. This
time, it involves another mainstay from previous iterations of the
franchise:
the Dinobots, led by the
massive Tyrannosaurus Grimlock.
By the time Optimus rides
Grimlock into battle through the streets of Hong Kong; it has
become clear that the
reception the “Transformers” films have received, both good and
bad; has
begun to blur together. For
the reasons I have outlined, “Transformers: Age of Extinction,”
by
that proxy; will be
perceived wherever you stand once you finish.
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