Courtesy: Warner Bros. Pictures/Legendary Pictures/Toho Studios |
Starring Bryan Cranston,
Aaron Taylor-Johnson, and Ken Watanabe
Directed by Gareth Edwards
Rated PG-13
My Rating: ****/5
The latest entry in the
60-year-long “Godzilla” franchise has arrived. Since the series
was first released in Japan
in 1954; it has since spawned 27 sequels in its native country as
well
as an odious 1998 remake.
For this new film; Toho not only got directly involved with
production to make sure the
details were correct, but they and director Gareth Edwards decided
to take influence from the
dark tone of the original 1954 “Gojira” (which is available to
mark
the occasion, without
Raymond Burr's narration in the film's 1956 US release) and position
the film as less of the
“monster vs. monster” action that most audiences are familiar
with and go
back to a haunting allegory
about the dangers of nuclear power going awry.
As a result, the film has
indeed succeeded in updating the character and setting for a
post-Fukushima age while
also staying true to its original design. Every scene that builds up
to the climactic final
battle in New York City is on par with ones in the classic nuclear
disaster
films “The China
Syndrome” and “The Day After.”
As such; the film makes sure
that the human elements that were conspicuously absent
from the 1998 remake are
more carefully handled. Bryan Cranston's performance as one of
the scientists determined
to find out the secret behind the monster is on par with his multiple
Emmy-winning performance as
Walter White on “Breaking Bad.” His son, played by Aaron
Taylor-Johnson; is a
military EOD technician that is not above making every effort he can
to
protect those around him,
whether it's his wife, young son; or the many civilians caught in the
crossfire in some of the
most realistic action scenes of the year. Dr. Serizawa (Watanabe)
does
everything he can to
provide information that is vital to humanity's survival.
The few flaws I found were
some instances of inconsistent pacing. There are instances
where the film lingers on
awkward sendups of scenes from previous entries (do we really need
more instances of civilians
ignoring news about Godzilla until they actually see him?); and
there is also a notable
lack of female characters that have any significant impact on the
story.
Yet, above it all, the
latest revival of “Godzilla” is a highly satisfying take on its
iconic
namesake as well as a
character-driven nuclear disaster film. The direction; special
effects,
and action scenes are every
bit as memorable as the first time the beast rose from the Pacific
Ocean in 1954. I certainly
hope that the planned sequels (the first of which is slated for
summer
2018) can capture the same
deft blend of spectacular action and haunting atmosphere that this
film did. With Edwards at
the helm; I think they will. “Let them fight.”